Chapter 94: Instrument relative clauses

Feature information for this chapter can be found in feature 94.

1. Relative clauses

After Chapters 92 and 93 on subject and object relative clauses, here we consider instrument relative clauses, i.e. relative clauses where the role of the head inside the relative clause is an instrument.

Such relative clauses can be marked by a special morpheme that occurs at the beginning or end of a relative clause, which we call relative particle (see (1), where the particle wa is glossed rel). Alternatively, overt marking may be lacking (zero) (see (2)).

(1)
da
that
a
eq.cop
di
the
sizaz
scissors
wa
[rel
ii
she
kot
cut
di
the
peepa
paper
wid
with
_
_]
Those are the scissors with which she cut the paper.
(2)
Zafèr
thing
i
[fin
koup
cut
kane
sugar.cane
avèk
with
_
_
la,
there]
koman
how
i
fin
apèl?
call
The tool with which you cut sugar cane, what do you call it?

The role of the head inside the relative clause can be indicated by a gap (no overt expression) (indicated by an underscore, as in (1-2)). A gap in relative clause constructions is very common in the world’s languages when the role of the head is subject or direct object, but it is much less common if it is an instrument or some other role that is typically expressed by an oblique phrase. Thus, the occurrence of the gap after the preposition in (1) and (2) goes by the special name preposition stranding.

Alternatively, the role of the head can be indicated by a resumptive pronoun (as in 3).

(3)
sa
that
kouto-a
knife-art
i
[he
ka
prog
koupé
cuts
with
li
it]
the knife he cuts with

Most relative clause constructions can be classified by these two parameters: Whether they are marked by a particle or not, and whether the head’s role is indicated by a resumptive pronoun or not. This yields four types of constructions.

In addition, there is the possibility of marking the relative clause and the head’s role by the same element, a relative pronoun, as in (4).

(4)
Ma
pl
tihera
scissors
ku
[with
lo
rel
k'
which
i
I
tan
fut
kottá
cut
papé
paper]
ata
be
aí.
there
The scissors with which I am going to cut the paper are (over) there.

The relative pronoun lo ke marks the beginning of the relative clause, and it is the complement of a preposition which indicates that the head is an instrument inside the relative clause. This kind of construction in which the relative pronoun is fronted but still has a preposition preceding it is called pied-piping.

2. Seven types of instrument relative clauses

Instrument relative clauses are clauses in which the head has the instrument role in the relative clause. We distinguish eight subtypes, six of which are also found in object relative clauses. Additionally there are two minor types, “relative pronoun with resumptive pronoun” (value 6), and instrument meaning is left implicit” (value 7). Note that for 12 languages, we lack data on instrument relative clause formation, as this kind of relative clause is very rare in corpora. The type “non-reduction” does not occur in our data.

exclshrdall
Relative pronoun with pied-piping3811
Relative particle and gap with preposition stranding71219
Relative particle and resumptive pronoun91120
Zero and gap with preposition stranding189
Zero and resumptive pronoun6814
Relative pronoun with resumptive pronoun112
Instrument meaning is left implicit5611
Impossible707
Representation:64

Compared to subject and object relative clauses, instrument relative clauses are special in that resumptive pronouns are much more often used in them – in fact, resumptive pronouns are more common than preposition stranding. This is in line with Hawkins’s (1999) observation that resumptive pronouns tend to be used primarily for such oblique roles. Moreover, the instrument meaning is often left implicit (value 7), and seven languages do not allow instrument relative clauses (value 8).

Value 1. A relative-clause marker is regarded as a relative pronoun if it has different subject and object forms, or if its relative marker can be combined with an adposition. Thus, all cases of pied-piping are cases of relative pronouns (see also ex. 4).

(5)
Sa
this
i
pm
kouto
knife
ek
[with
ki
rel
Zak
Jacques
ti
pst
koup
cut
pwason.
fish]
This is the knife with which Jacques cut the fish.

In two languages, Angolar and Casamancese Creole, there are relative pronouns (which have distinct subject and object forms), but these require a resumptive pronoun in instrument relative clauses (value 6).

(6)
piongo
nail
ma
[rel.nsbj
n
1sg
pega
nail
taba
plank
ku
with
ê
it]
the nail with which I nailed the planks

Value 2. Preposition stranding is most common in English-based languages, especially in the Atlantic. In 19 languages it occurs with a relative particle.

(7)
de
det
cotlass
cutlass
dat
[that
she
3sg.f
kot
cut
it
3sg
wid
with
_
_]
the cutlass that she cut it with

Another example was seen in (1) above. Preposition stranding is also found in Sango, where the preposition occurs before the direct object:

(8)
zeme
knife
so
[rel
mbi
1sg
doroko
chop
na
prep
_
_
nyami
meat
ni
det]
a-za
pm-be.sharp
nzoni
well
ape
neg
The knife with which I chop the meat is not very sharp.

Value 3. As noted earlier, resumptive pronouns are more common in instrument relative clauses than in subject and object relative clauses. In 20 languages they occur with a relative particle.

(9)
Kumin
place
ki
rel
ine
pl
têêxi
three
ufaka
knife
dem
ki
[rel
n
1sg
txya
extract
ivin
wine
kôli
with.3sg
sa
be
n'
in
êli?
3sg
Where are the three knives I extracted palm wine with?

Value 4. Zero-marked instrument relative clauses with a gap with preposition stranding are mostly found as an alternative in languages that also have preposition stranding with a relative particle (value 2). (Another example was seen in (2) above.)

(10)
Sho
show
mi
1sg
di
art
sezez
scissors
yo
[2.sbj
kuht
cut
uhm
3.obj
wid
with
_.
_]
Show me the scissors with which you cut it/him/her.

Value 5. In a number of languages, the relative clause is zero-marked, and there is an overt pronoun following the preposition that functions as a resumptive pronoun. (Another example was seen above in (3).)

(11)
kouto-la
knife-def
ou
[2sg
ka
use
sèvi
cut
épi'y
with.3sg
la
det]
the knife with which you cut

Value 7. In quite a few languages, it is possible not only to have a gap for the instrument phrase, but even to leave the role of the instrument phrase in the relative clause implicit. Thus, (12) is literally ‘The knife [I cut up the meat] is not sharp’.

(12)
Kouto
knife
m
[1sg
koupe
cut
vyann
meat
_
_]
nan
def
pa
neg
file.
sharpen
The knife with which I cut up the meat is not sharp.

In Nengee, including the preposition anga ‘with’ (and a resumptive pronoun) is not allowed.

(13)
a
the
pan
pan
di
[rel
i
you
e
ipfv
baka
bake
kasaba
cassava
(*anga/*anga
(with/with
en)
it)]
the pan with which you roast cassava

Value 8. In quite a few languages, instruments cannot be relativized at all, and they have to be turned into the direct objects of verbs like ‘use’ or ‘take’. (This construction is somewhat similar to ‘take’ serials, see Chapter 85.)

(14)
Fak
knife
ki
[rel
tum-o
take-pst
_
_
kharm
meat
ki
comp
korta
cut]
drɛt
good
nu
neg
tɛ.
cop.prs
The knife she took to cut the meat is not good.